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James Sanders

James Sanders lives in Atlanta, GA. and has been involved in a writing collective called the Atlanta Poets Group for several years. He has published individually and collectively in various magazines and has appeared in two anthologies.

The Imposter Who Is There Before the Yoo Hoo

what does an autobiography see when the sun is wet

grown duct to

nonfood

the distant as

semicircle hooded

to keyed moist of all tunes

would even dive. And when they convince, as an I. V. of the mechanism, didn't then I

think the clown, no more unique or complex, yet still instead of it in the vignettes with scientific feet in *

You room close to you

Howard Johnson's marbled and iced fission

in tinge is to invite to the commission.

The national nagging has data fondness

lensing us out in the world owned in the rubbing

the ones behaving in

zoom in and with fluted impersonation is now in this lu

bratic in the common noun and

this time len

sing us out in the world

the pieces to shatter the option to seem to

the line to line

an end of the eye of the line

and is commenting us out of the world load

I think the clown is still instead of the vignettes with sign

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* The Howard Johnson's marbled and iced fission

is reregular. The cypresses clutch at a circumspect pronoun which through us

in tinge is to invite to the commission.

The ice throats through the slid dish.

The national nagging has data fondness

that lubricates our personal sentences slicking and

lensing us out in the world owned in the rubbing

ourselves. Would we be the ones who see

the ones behaving in

the frankenfurter shaped nap and

zoom in and with fluted impersonation is now in this lu

ll, this perspex ampersand of moo? Not um

bratic in the common noun

not rinsed in range of rules for other people's pupiled bluff, temporarily